Pill-Oh

Born in 2009 in Athens, Greece, Pill-Oh emerged as a quiet rebellion in the realm of sound and image. Electronic artist Hior Chronik and classical pianist Zinovia Arvanitidi dove into an uncharted space where childhood echoes collide with adult introspection. Their music is an abstraction — a fragmented exploration of memory, of “image” and “reflection” intertwining. Piano melodies drift, vocals whisper, and electronic elements hover like forgotten thoughts, fusing the classical with the unbound.

In 2012, their solitary album VANISHING MIRROR found its way into the world through KITCHEN. LABEL, a delicate piece of filmic romanticism etched with 13 tracks that seem to vanish as soon as they emerge. The album, with visuals by French photographer Aëla Labbé, becomes a dream caught in mid-fall.

Aëla’s images dance through time with the rusted hues of forgotten childhoods, all nostalgia and raw emotion, forcing the viewer to look into the mirror, not for what is reflected, but for what is lost. Each frame, like the music, is a whisper from the past — a fleeting moment caught in the space between memory and reality.