Nº 5 sketch – ironomi

“On a summer’s day, there was an artist sketching the chorus of insects using his sense of hearing, adding various colors to a white canvas.”

ironomi’s delicate field recordings capture the tangible atmosphere of a specific time and place. sketch is a live improvisation recorded in the summer of 2007 in a very old wooden house atop a hill in Mashiko, a town in Japan’s Tochigi prefecture known for its close association with some of the country’s leading ceramic artists and pioneers of the mingei (folk art and craft) movement, such as Shoji Hamada. By straddling both ambient classical music and documentary recording, ironomi created a “folk craft” album of their own – a pastoral reverie inspired by Mashiko’s shaded bowers and fitting dragonflies.

sketch attempts to conjure something of the glaring light and torpid air of a Japanese summer using sound alone. The titles of these compositions invoke a literal kind of emotional color – specific nuances associated with the unique hue of summer insects, or the underside of leaves in the shade.

The names of these colors belong to a romantic, anachronistic vocabulary found in literary works that date from the Heian period (794-1185), like Sei Shonagon’s The Pillow Book.

Junya Yanagidaira’s sparkling piano arpeggios – looping insistently on top of themselves, reverberating gently against the ambient whirr and hiss of the frolicking cicadas – evoke the drowsy languor of a midsummer afternoon, of being held captive to a riot of insects nesting in the thick clumps of foliage on the trees outside. Indoors, you languish in a sort of blissful daze, enjoying the occasional moment of cool relief brought inside by an errant breeze. Using real-time sampling and processing through self-made patches on his laptop, Yu Isobe transforms Yanagidaira’s uttering phrases into something altogether darker on “uraha-iro” – a sinister pastoral drone that simmers ominously against the inescapable clamor of the chattering insects. In their own words, sketch is a sonic portrait of “a summer’s whispers” – a poetic, meditative soundtrack that records microscopic nuances of the atmospheric elements particular to this season.

The album comes in 32 pages hardcover artbook edition featuring photography by April Lee, taken in the immediate surroundings of the recording site in Mashiko City (Tochigi, Japan) in the late summer of 2009.

CREDIT

All compositions by ironomi
Mastered by Hiromitsu Shoji

Photography by April Lee
Design by Ricks Ang, April Lee